Barking Hoop Archival New York, New York
Kevin Norton: I’ve been performing and composing music since my 20s and now, into my 60s (2021), I realize that “the public record” of all my music is a record that has been mediated by a system of record labels and press (music writers, etc) that is uneven at best or downright corrupt at worst. (This page should be linked to kevinnorton.bandcamp.com ) – THANK YOU. ... more
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Stir Crazy Episodes 1-15
by Tom Rainey + Ingrid Laubrock
supported by 10 fans who also own “Benevolence (full ensemble)”
the artists seem to downplay their achievement as something they just tossed together in the living room during pandemic lock down. Yet, it is a highly original take on the classic drums/sax duo. A huge range of musical ground is covered, and emotional content. A great album in any context, I listen to it often.
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BPALTD 808 Live in Texas
by Ewen/Smith/Walter
supported by 9 fans who also own “Benevolence (full ensemble)”
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the shape finds its own space FMRCD429-1116
by Alvin Fielder / Frode Gjerstad / Damon Smith
supported by 9 fans who also own “Benevolence (full ensemble)”
I've heard many Gjerstad trio recordings with Stroem & PNL. It is refreshing to listen to another trio here
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The Spanish avant-garde jazz trio takes listeners on a journey through time on their thoughtful new album.
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disconsolate transceiver
by meant.
Brash experimental electronic compositions from this Tulsa-based musician heavy on serrated sheets of sound that hiss and scald.
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I was too young to hear silence
by Patrick Shiroishi
Free jazz saxophonist explores negative space on a vast, improvised work recorded in a L.A. parking structure.
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BPA -2 Burns Longer (New Tape!)
by Fred Van Hove / Peter Jacquemyn / Damon Smith
supported by 8 fans who also own “Benevolence (full ensemble)”
I favour Fred Van Hove more when he plays with other musicians. Here he plays with two great bassists , who could be his sons.
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